How to pick and use a Detroit type beat like "Dirty Diana" without losing money or your channel

Video: [FREE] Detroit Type Beat x YN Jay Type Beat - "Dirty Diana"

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Oct 22, 2026 · based on the channel Kooba II

A Detroit type beat is an instrumental built to match the sound of Detroit and Flint rap — chopped soul or disco samples, hard punchy drums and a loose, bouncy pocket — and you can use one like Kooba II's "Dirty Diana" for free on YouTube or non-monetized SoundCloud, or buy the untagged lease at the BeatStars page for "Dirty Diana" if you plan to release on streaming platforms.

What makes a beat a "Detroit type beat"

The label describes the production style a beat is written for, not where it was made. Detroit rap as it is practiced by YN Jay, Rio Da Yung OG, Babyface Ray, Veeze and the Flint-adjacent scene leans on mid-tempo loops, heavy sample chops and drums that feel slightly behind or ahead of the grid. A producer marks an instrumental as a Detroit type beat so rappers searching for that pocket can find it, and adds a second name — YN Jay type beat, Rio Da Yung OG type beat, Baby Smoove type beat — to signal which flow it suits.

Practical markers of the style:

1. Tempo usually sits in the 85–105 BPM range, often counted half-time so it feels slower than it is.
2. The sample is the hook: a 1–4 bar soul, funk or disco loop chopped and re-triggered rather than left to run.
3. Drums are loud and dry — a short, snapping kick, a tight snare or clap, hi-hats that roll rather than sit straight.
4. Arrangement is sparse: intro loop, drop with 808 or bass, a short switch for the second verse, then out.

"Dirty Diana" follows that recipe. The comment section under the upload zeroed in on exactly those elements — a mean bounce, a sample chop that sounds written for YN Jay, and drums that stay in the pocket the whole way through. That is the checklist a rapper should be listening for, not just whether the loop is catchy.

Free download, lease or exclusive: what the terms actually allow

A free type beat is not the same as a copyright-free beat, and the difference decides whether your release survives. Kooba II's terms for "Dirty Diana" are explicit and typical for the market:

• Free use: YouTube and SoundCloud, as long as the track is not monetized. No streaming services.
• For-profit use: Spotify, Deezer, Tidal, iTunes and similar platforms require a purchased lease.
• Content ID: you cannot register the song with Content ID unless you hold an exclusive license.
• Credit: required, written as "Prod. Kooba".

Breaking those terms is what triggers copyright strikes on a channel, so the free tier is best treated as a demo stage: post the song, test the reaction, then buy the lease before it goes to distributors. The untagged file matters here — the free version is tagged, and a tagged beat is not something you want under a vocal take you are promoting seriously.

How to judge whether a beat fits your flow in under two minutes

Play the beat once without writing, then count where your natural cadence lands. If your bars want to start a half-beat before the kick, the beat needs space at the top of the bar; if you rap in dense triplets, the hi-hat pattern will either support you or fight you. Detroit instrumentals usually leave a gap right after the downbeat, which is why the scene's rappers can stretch a syllable across the pocket.

A quick test sequence:

1. Loop the main 8 bars and freestyle two verses without stopping — if you run out of breath in the same place twice, the tempo is wrong for you.
2. Record a 30-second phone memo over it; the beat should sit under the voice without EQ work.
3. Check the switch: does the beat change enough for a second verse, or is it one loop for three minutes?
4. Listen to the tagged version — if the tag lands on the hook, plan your chorus around that gap or buy the untagged file.

Common questions from rappers digging through type beats

Most doubts around free beats come down to permission and credit, and they repeat across every upload. The recurring ones:

• Can I monetize a video using the free beat? Not under these terms — monetization counts as for-profit use and needs a lease.
• Do I have to say the producer's name? Yes, credit in the title or description is a condition of the free license, and it also helps the producer send you more beats.
• Can I claim the song on Content ID? Only with an exclusive license; a lease does not cover it.
• Is one sample enough for a whole tape? Producers and listeners both notice when a single loop is stretched across dozens of tracks — variety in tempo and sample source keeps a project from sounding flat.
• Can I sell a beat I downloaded free to another artist? No. The license is for your use, not for resale or sublicensing.

Where to find and buy beats from Kooba II

Kooba II publishes free Detroit and Flint type beats on YouTube and sells untagged files through BeatStars, where the current promotion is Buy 2 Get 1 Free. The catalog page is the fastest route to browsing everything at once, and the Instagram account is where new uploads and offers are announced first.

All the official links in one place:

• Purchase the untagged "Dirty Diana" beat: https://bsta.rs/JKnG5H
• Beat store, full catalog and the Buy 2 Get 1 Free deal: https://www.beatstars.com/prodkooba
• Instagram for new beats and updates: https://www.instagram.com/prodkooba

When you buy, keep the receipt and the license PDF in the same folder as your session files — distributors and Content ID services ask for proof of licensing, and recovering it later is far harder than saving it once.

What to do after you download the beat

Treat the free download as the start of a release plan, not the end of one. Record and mix your demo over the tagged file, post a snippet, and read the reaction before spending money; if the song has legs, buy the untagged lease, re-record the vocal if needed, register nothing with Content ID, and put "Prod. Kooba" in every title and description. That sequence keeps you inside the license on every platform and keeps the door open with the producer for future placements. Kooba II's breakdown of the Detroit and YN Jay sound in "Dirty Diana" gives you a working reference for the pocket, the sample treatment and the drum weight — use it as a benchmark when you audition other beats in the same lane.

Source: [FREE] Detroit Type Beat x YN Jay Type Beat - "Dirty Diana" · Markdown version